Friday, November 27, 2009

Film 2009 #177 - The House of the Devil




The House of the Devil (2009)
Directed by Ti West
Starring Jocelin Donahue, Tom Noonan, Greta Gerwig

Horror has become ironic, much to its detriment. The slasher films of the 1980s began to peel away at the true horrific atmosphere of horror, with characters such as Jason and Freddy becoming cartoon characters. Wes Craven's Scream franchise pushed horror further away from the realm of providing actual scares and the torture porn borne out of the Saw series put the nail in the coffin. Young director Ti West makes a push to return to the slow burning tension of pre-ironic horror by composing this retro scare flick.

The film focuses on Samantha (Donahue), a college sophomore just signing a lease for an apartment she can't afford. The landlady is played by veteran actress Dee Wallace, best known for her roles in ET and the classic horror flicks The Howling and Cujo. Samantha, desperate for money, answers a flier on campus asking for a babysitter. She's driven to house in the woods on the outskirts of town by her friend (Gerwig) who becomes suspicious when the owner (Noonan) reveals that the babysitting gig was not what it seems. Samantha will be in charge of watching the family's elderly grandmother while they are out. Samantha agrees to the change in terms and so begins the slow boil of the picture, ending in a macabre satanic denouement.

The most jarring feature of the film is its aesthetics. West purposefully shot the film on 16mm to make it resemble the low budget horror films of his childhood. In addition, the plot capitalizes on the "satanic panic" that many of us 80s babies remember parents developing a paranoiac fear of. It doesn't hurt that the acting is kept subtle, never going over the top until the final 10 minutes. West is definitely a student of this genre showing his expertise all the way down to the design of the opening and ending credits. A great film that shows its love for the old school horror film without having to drench itself in irony.

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