Tuesday, June 1, 2010
Wild Card Tuesdays - Someone's Knocking at the Door
Someone's Knocking at the Door (2009, dir. Chad Ferrin)
Starring Noah Segan, Ezra Buzzington, Andrea Rueda, Elina Madison
You should probably not watch this movie. By that, I don't mean this is a bad film, but it is definitely not a movie for your casual filmgoer. This exists in a very specialized realm of film, grindhouse, but even still it doesn't strictly adhere to the tenets of that genre and even openly plays with the conventions. This is not to say the film is some masterpiece. It's very cheap and very gritty, and that's what it has to be to do what its trying to do. If you decide to see this movie, and can track it down, you're going to discover a very disturbing, very funny, and in the end oddly moving low budget horror flick.
The first scene of the film features a young man shooting up with some strange drug and then being raped to death by a demonic looking man. Flash to the young man's friends, a group of med school students who react with coldness towards news of his death. The only one who seems to feel anything is Justin (Segan), the most drugged out of all of them who has a dream/hallucination where his dead friend appears in a morgue blaming him for his death. The kids are called into the police station for questioning where its revealed a few nights prior to the murder they had been poking around the basement of a records building on their campus. Justin discovered files on John and William Hopper, a husband and wife serial killing duo who would rape their victims to death. The two were on an experimental drug which Justin finds a vial of and shares with his pals. It appears that the drug has somehow broken down a barrier to Hell, and now the Hoppers have returned in demonic form to wreak havoc.
While the film follows many of the tropes of grindhouse, particularly beginning with a big horrific scene, then slowing down until one more final climactic act of grotesque, it also throws some new ideas. There are a lot of jump cuts, particularly when focusing on Justin, which serve the purpose of showing how his drug addled brain is processing things. Sound is also used in an incredibly effective way, sound being an element that is normally overlooked. In certain scenes, instead of hearing the dialogue, we can see that the characters are talking but the soundtrack is overtaken by ambient static. There's a reason in the plot for this, but just in terms of atmosphere it gives an otherwise mundane scene an air of creepy surreality.
There's a lot of explotative sex, as you would expect in a grindhouse styled film, and this film definitely goes places with it you wouldn't expect. If you thought A Nightmare on Elm Street or Halloween was a crudely disguised warning to adolescents to refrain from sex and drugs, this picture will blow those ideas out of the water. The two supernatural killers of the film possess...*ahem* macabre transformations of their genital regions that render them brutal and demonic. William Hopper in particular has a very unique method of killing his victims. I absolutely loved how evil the villains in this film were. I don't believe a studio horror film would ever allow a director to go as far and as horrible as Ferrin takes the Hoppers. At the end though, the film has a strangely sad and poignant. Though once again, I warn you to not watch this film unless your brain is truly ready for the horror.
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